A Sanghi enthusiast is touting what he claims is an excerpt from Narendra Modi’s scripted interview with Akshay Kumar, a less accomplished actor. He asserts that Modi’s response left everyone in awe.
According to this enthusiast, Akshay Kumar asked Modi what he would do if he found Aladdin’s fabled magic lamp. Modi reportedly replied that he would urge academicians to stop narrating such fables to children, as they promote a culture of idleness and lotus-eating, alien to India’s ethos. He then allegedly critiqued Indian education for belittling the country’s past and instilling foreign values in children. Does this thespian realise that One Thousand and One Nights is a collection of Middle Eastern fables?
Even a cursory glance at this claim reveals the absurdity of Modi’s purported stance, likely a scripted answer. We’ve seen what happens when his responses aren’t rehearsed—he fantasises about an elephant’s head grafted onto a human child and calls it plastic surgery! 😁😂
What’s startling is that Modi seems unaware of Arabian Nights and the myriad fables that enchanted our childhoods. Can anyone point to contemporaries who became lotus-eaters, languishing in dreamy indolence, awaiting lady luck? He overlooks how fables, Indian and foreign alike, shaped our formative years. Unlike Modi, we drew values from Aladdin’s fortunes, wary of the scheming uncle; from Sinbad’s voyages, which introduced us to distant lands and cultures; from Ali Baba and the forty thieves; from the cunning “Fisherman and the Jinni,” the “Tale of the Vizier and the Sage Duban,” or “The Fox and the Crow.” The list is endless. Does he know many of these tales carry Indian and Persian influences?
Venturing further west, are we to believe that Little Red Riding Hood, Jack and the Beanstalk, Cinderella, or The Pied Piper of Hamelin are corrosive to young Indian minds, as Modi might suggest?
If we entertain Modi’s convoluted (nay, devious) logic, we’d miss the richness of Anton Chekhov’s The Bet or Leo Tolstoy’s God Sees the Truth, But Waits—a tale prescient of Modi’s era! He likely hasn’t heard of O. Henry’s The Trembling Leaf, conveniently alien as it’s American. Nor, perhaps, of Kerala’s Aythihiya Mala, a collection akin to Arabian fables, which he might dismiss as foreign to his sensibilities, despite its uniquely Malayali essence. Herein lies the contradiction in his bizarre understanding of culture, fables, and literature, however commonplace.
Does he know that W. Somerset Maugham’s Appointment in Samarra draws from the Katha Upanishad and an ancient Mesopotamian fable?
What distinguishes ordinary mortals like us from Sanghis is our exposure to a kaleidoscope of inspiring tales from diverse cultures. These stories enrich our lives with values of moral courage, ethics, and goodness, regardless of their origin. It’s a pity we have a Prime Minister who rejects inclusivity and the universal appeal of such narratives. Perhaps Modi had little time for fables, reportedly spending his childhood meditating in dense jungles or on the icy peaks of the Himalayas. What a sacrifice he made—and now we bear the brunt! Poor us!